A collaborative box set made by Dennis Tyfus and Peter Fengler for the occassion of 15 years itchy Kultur by Ultra Eczema and 10 years regulating Aktivität by DE PLAYER. They have been working on it a little longer than one year. The box set is limited to 10 copies. No box set is the same; all original records in a total of 100 pieces. Every box set contains 10 hand sliced self cut poly uritane records combined with all kind of materials.
Released at the Symposium about Paul de Vree (1909-1982) under the title: 'PAUL DE VREE: POSITIES TUSSEN POËZIE, PLASTISCHE KUNST & PERFORMANCE.' at the 'Letterenhuis' in Antwerp, Belgium on the 10th of November 2012.
All recordings are previously unreleased.
All recordings are private recordings except:
A1: recorded at Radiohouse Stockholm
B1: recorded at Studio Antwerpen (Antwerp)
Printed at The Studio of Graphic Arts (KASK) School Of Arts Ghent.
This is the sound that brings out the best in melted brainiacs that start producing oer klanken when seeing a white ball with black dots on it on a grass field while carnavalists run after it in between two "goals", troeps that follow one colour for the rest of their days, primates that repeat what the rest of the stadion is yelling! brazil techno, football (power) elctronics, echoes from another scene.. far away from the daily routines of what these italian maestros usually do with their coda lunga's. limited to 100 copies. artwork by dennis tyfus, riso printed by jan matthé.
Since the beginning of the 80's Sandy Nys (aka Maghtea) has been involved in a million of industrial, ritual ambient, noise, wave etc solo or group projects, his main thing since some decades remains HYBRYDS, though he is one of the Belgian hometaping pioneers, alongside ClubMoral and Alain Neffe of "Insane Music".
"you must live in tokyo to be able to follow the immense output of the soundburrier that is MASAYA NAKAHARA, aka VIOLENT ONSEN GEISHA, most of his work doesn't make it out of Satou Dan's Tatsunoya bar in Shinjuku, not because noone wants it, just because the tokyo noise scene seems to gather there late at night to forefil their pork anus - chicken paw needs, and NAKAHARA's last 40 cdr's were the ideal soundtracks for this ritual.
"aiaiai, there we go again, 2 years ago it started and now it seems too late to ever stop it.. where is this gonna end, is of course an interesting question..
after a whole night long LA BAMBA party (which is seriously a bigger aural torture than any noise gig), a lp with only LA BAMBA cover versions, a whole night long POPCORN and a accompanied comp lp, it's about time to abuse Eddie Cooley and John Davenport's FEVER!